Dean Kavanagh Movies

‘My first movie’.

A found-footage film that seeks to sever all narrative ties.

A relationship unravels during a storm. Poor Edward is considered as part of the official canon of Remodernist Film.

In Passing is a collaboration between seven different filmmakers from around the world in response to Jesse Richards' 2008 Remodernist Film Manifesto.

A man investigates a memory of places and people. The evidence drifts deeper and deeper into an unforgivable jungle; he might not be the true owner...

Haunted by the memory of a blind woman with visionary powers, a man revisits the sites of their love affair. Rather than unfolding as a traditional...

A young man films his family to better understand them and as a result is destroyed by them.

A journey into the dark visions of a small coastal town. Memories of the inhabitants or memories created by the place itself.

The last day of the week is the first day of the week.

A man cruises the streets of his old neighbourhood at nightfall.

A young man recalls a fishing trip from his childhood but he is uncertain if it is his own memory.

Onlookers at the canal.

The latest materialist gesture in cinema's dematerialisation- uncompromising alter-ego Johnny Kline returns in the form of found and partially...

This found footage project takes the form of four experimental films surrounding the mystery of the titular character. Rather than overtly appearing...

Three witnesses to the invasion. Three accounts. Are they observing the same thing? Were there any warning signs? And, after all they’ve seen...

A compendium of home movies sewn into a fragmented nocturnal narrative on travel

Cut to the chase was a phrase used by Hollywood studio executives, meaning “don't bore us with the dialogue - get to the interesting scenes...

A séance of old and new light.

There is no escape… From one side of the globe to the other, there is no escaping the faces, the visions, the ever-watchful camera. There is...