Jeff Keen Movies

A deliberately non-synchronous film, shot in 8mm with the sound on tape. Piero Heliczer reads his poem "The Autumn Feast," and the visuals interact...

One of Jeff Keen's diary films. Keen made many diary films with his daughter, wife and friends in the late 60s and 70s. These were edited in camera...

Various different holiday locations ar joined together through the pleasures of ice cream in The Mutt & Jeff Icecream Sundae, while in Mothman the...

'Afterblatz 2' was shot on video and screened alongside 'Omozap Terribelis'. It uses the toy 'My First Sony' to present a number of...

Silent 8mm film.

Jeff Keen dons paper masks and his knitted Artwar jacket, after avoiding bombs and pacing a moonlike landscape.

Named after the horror film White Zombie and the rom-com Red Dust (both 1932), White Dust follows the friends and family of Keen while they explore...

Experimental short featuring motorbikes and animation. This is the second version of Jeff Keen's first film; that film became too worn.

A short, sharp, visceral attack on the news using, amongst other things, science fiction footage and scattered newspaper headlines.

Comics, monsters and a zombified Keen are gently desecrated in this paint-flecked film that also features a picture of Jackie Keen crying...

One of Jeff Keen's diary films. Keen made many diary films with his daughter, wife and friends in the late 60s and 70s. These were edited in camera...

Made to represent an entire cinema programme, Meatdaze consists of six sections that include cartoons, supporting and main features.

Omozap is a gun-wielding wildman and Keen anti-superhero akin to The Punisher. Compulsive animation and action look to the Artwar films and videos to...

'Omozap Terribelis' was shot on video and screened alongside 'Afterblatz 2'. It uses the toy 'My First Sony' to present a number of...

One of Jeff Keen's diary films. Keen made many diary films with his daughter, wife and friends in the late 60s and 70s. These were edited in camera...

The Artwar face peers through painted celluloid and a barrage of explosions and film noise.

Jeff Keen's final film pushes his conflation of personal history and war even further than before.

Stealth bombers hover over crashing waves and ruined land. Using found footage and several thick layers of video, Jeff Keen presents and visceral...

The Artwar loops were made for non-cinematic exhibition and go from harsh film surface noise to colour bars and other video effects filmed from the...