Lillian Schwartz Movies

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

A colorful collage, with a subtle ecology theme, made largely from footage from trial runs of programs used for many of the other films.

A dance by bodies of shifting colors.

A number of telephones from the very first invention by Alexander Graham Bell to the present-day cellular and voice phones are morphed in an...

Pixillation features computer generated abstract animations set to Moog-synthesized sound.

“The changing dots, ectoplasmic shapes and electronic music of L. Schwartz’s ‘Mutations’ which has been shot with the aid of...

Music by Albert E. Miller. Combination of musicians and dancers in free form movements captured by computer-controlled-video which permits...

Music by Albert E. Miller. Computer-controlled ability to store one frame in the computer and combine this frame with the incoming frames permits...

A ballet of squares and octagons in many forms, exhibiting a variety of geometric and sometimes sensuous interactions.

Extended editing techniques based on Land’s experiments affect the viewer’s sensory perceptions.

Computer-simulated disk galaxies that are superimposed and twirl through space in beautiful colors at different speeds.

Music by Albert E. Miller. Combination of musicians and dancers in free form movements captured by computer-controlled-video which permits...

Pablo Neruda’s life unfolds and becomes the basis for the symbolic representation of his poem “Barcarola”, intermixing live action,...

A swift moving assortment of moving images. Filmed from a color TV monitor that was computer controlled.

Slow disintegration and aging of artists head, revealing underlying bone structure. Created using old picture-phone technology. New music added in...

Musicians and dancer perform in real-time while Schwartz plays a computer-keyboard to create special effects on a computer-controlled video-visual...

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

Blasting off into cosmic visual abstraction, pioneering computer artist Lillian Schwartz’s UFOs is a kinetic tour-de-force whose innovative...

This animation can be watched in 2D or using Chromadepth Glasses in 3D.